Program

AGENCY PARTNERS · WHITE-LABEL

River of Data: Cinema Cut, a still from the piece

When your client needs more than your current capacity allows.

We partner with agencies that've won the work but need a production partner to deliver it. You own the client. We own the production. Your client never knows we're here unless you put us there.

Partner with us
  • White-label · NDA + non-circumvention
  • First cut in 3 to 5 days
  • Your logo on the slate

Private access · Agency work

The full agency lineup screens privately.

Most of our agency work is white-label: it ships under the agency's name, not ours. Request your private access link and we'll email it to you.

How it gets made

Human + AI + Human

  1. 01 · Brief & pre-production

    You bring the brief. We take it through creative pre-production and lock the full creative with you: concept, script, storyboard, casting and look. You know exactly what your production will look like.

  2. 02 · Production

    Our AI artists generate the shots and work with our editors, feeding the edit as it comes together. These are our shoot days: every scene built, lit and directed in-house. No locations to book, no weather delays, no travel logistics.

  3. 03 · Post, mastering & delivery

    Editorial, color and the sound mix, then mastering, then delivery at spec: every version checked and shipped ready for broadcast, CTV, social, cinema or the LED wall.

People set the direction. Our AI artists carry the generative work, shot by shot. People decide what ships.

How it gets made in detail →

The clock

  • Brief + build · Days 1–2
  • First cut · Day 3
  • Revisions · Days 4–6
  • Delivered · Day 7

First cuts in 3 to 5 days. The traditional route takes 4 to 8 weeks.

Silent partner. Your logo on the slate. Ours stays off it.

Based on The Stillness, a :30 broadcast spot for Farrell Air Conditioning (June 2026): production start to broadcast masters in 7 days. Larger projects can take longer, depending on what the client needs. The traditional track is a typical 8-week :30 schedule.

The schedule, day by day

First cuts in 3 to 5 days. Traditional production runs 4 to 8 weeks for the same output.

Day by day: The Stillness (FMAI, June 2026) against a typical 8-week traditional :30 shoot
StageFMAITraditional (typical)
Brief and pre-productionDays 1–2: production starts, assets in, frames builtDays 1–14: brief, bids, pre-production
Casting, locations, permitsInside days 1–2: cast and locations built with the frames, no permitsDays 15–24
ShootInside days 1–2: our AI artists generate every shot, with no location or weather delaysDays 25–27
First cutDay 3: first cut to youAbout day 38, after the edit
Color, sound, VFXInside days 1–3Days 39–46
RevisionsDays 4–6: your notes, our pickupsDays 47–53
DeliveryDay 7: 4K and broadcast masters deliveredDays 54–56

How the days add up →

CONCEPT STORYBOARD · WHITE-LABEL

Your name on the cover. Ours stays off it.

CONCEPT STORYBOARD · YOUR AGENCY

FOR YOUR CLIENT · NOT A TEMPLATE

Yourspot.

STORYBOARD / 10 PAGES / BUILT FOR YOUR CLIENT

PRODUCTION SPECIFICATIONS

RUNTIMESet on the brief
FORMAT / ARWhere it runs decides this
BEATSSix, written for your client
PREPARED FOR

YOUR CLIENT HERE

PREPARED BY

Page 01 / 10

Turn the pages with the left and right arrow keys.

Every job starts with a board like this: built from your client’s product and photos, and delivered under your name. Your client never hears ours.

WHAT'S IN IT

  1. 01 Production specs: runtime, frame rate, format and colour, settled before anything is built.

  2. 02 Visual register: light, grain and palette, locked to your client’s look.

  3. 03 Model sheets: their product and people, built from their photos. The page your client signs off on.

  4. 04 Six beats: every shot with its time, lens, intended motion, score and sound.

Then the review call. We walk you through it, and you present it as your own.

SAMPLE BOARD · NINEBARK IS A BRAND WE INVENTED

PAGE 01 / 10

Ninebark sample board, page 01: Cover and production specifications
Ninebark sample board, page 02: Visual register: light, grain and palette
Ninebark sample board, page 03: Model sheet: The Runner
Ninebark sample board, page 04: Model sheet: The Shoe
Ninebark sample board, page 05: Beat 01, The Dark: frame, camera, intended motion, score and sound
Ninebark sample board, page 06: Beat 02, The Contact: frame, camera, intended motion, score and sound
Ninebark sample board, page 07: Beat 03, The Grade: frame, camera, intended motion, score and sound
Ninebark sample board, page 08: Beat 04, The Slip: frame, camera, intended motion, score and sound
Ninebark sample board, page 09: Beat 05, The Crossing: frame, camera, intended motion, score and sound
Ninebark sample board, page 10: Beat 06, The Ridge: frame, camera, intended motion, score and sound

FROM PAGE TO SCREEN · FICTIONAL SAMPLE BRAND

Every shot was written down first.

Ninebark is a brand we invented to show you the process. Scroll to run the :30. The notes under the picture are the storyboard it was built from, word for word.

Ninebark is a brand we invented to show you the process. The :30 runs below. The notes under the picture are the storyboard it was built from, word for word.

Ninebark is a brand we invented to show you the process. Below are the six beats of the storyboard the :30 was built from, word for word.

Ground Truth, the Ninebark spot: a runner on a granite ridge at first light.

Six beats. Written before a single frame was made.

  1. BEAT 01

    The Dark

    :00–:04·4.0S

    CAMERA24MM, LENS IN THE GRAVEL, EMPTY TRAIL

    INTENDED MOTIONNothing in frame but a headlamp cone lying across wet granite and a thread of breath hanging inside it. No runner yet. We are listening before we are looking, and the empty trail tells you exactly what kind of morning this is.

    SCORE & SFXRoom tone, wind, a low sub underneath. One footfall arrives late and close. No music yet.

  2. BEAT 02

    The Contact

    :04–:09·5.0S

    CAMERA150MM MACRO, FROZEN AT FIRST COMPRESSION

    INTENDED MOTIONOff-speed. The rubber flattens, water squeezes out sideways from under the lugs in a low fan, and the outsole bites and holds. The whole argument of the spot, four inches off the deck.

    SCORE & SFXThe sub drops out entirely. One wet compression, close and dry, and nothing else.

  3. BEAT 03

    The Grade

    :09–:14·5.0S

    CAMERA20MM, FLAT IN THE DIRT, LOOKING UP THE CLIMB

    INTENDED MOTIONA slow push as she works up the slope and past camera-left, loose stone running downhill toward the lens. She is small and the hill is enormous, because that is how it feels at mile four.

    SCORE & SFXBreath and cadence come up in the mix. The first sustained note enters underneath.

  4. BEAT 04

    The Slip

    :14–:19·5.0S

    CAMERA150MM MACRO, A TENTH OF A SECOND INTO THE SLIDE

    INTENDED MOTIONOff-speed. The scree shears sideways, the lug catches, the slide stops. A recovery, not a fall. This is the moment a trail shoe is actually tested, and almost nobody puts it in the ad.

    SCORE & SFXGrit and shear, isolated and close. The note holds and refuses to resolve.

  5. BEAT 05

    The Crossing

    :19–:24·5.0S

    CAMERA135MM MACRO, LOW AND BACKLIT INTO THE SUN

    INTENDED MOTIONOff-speed. The foot breaks the surface and a column of spray opens toward camera, rim-lit into gold by the low sun behind it, then thins and is gone. First light arrives on the water before it arrives on her.

    SCORE & SFXOne hard splash, then near silence underneath the held note.

  6. BEAT 06

    The Ridge

    :24–:30·6.0S

    CAMERA35MM LOW THREE-QUARTER, THE ONLY WIDE IN THE PIECE

    INTENDED MOTIONReal time, finally, and the only time the frame opens up. She crests the ridge into full sun and keeps going out of frame: no arms up, no summit pose. The camera holds on empty ridgeline for a beat before the end card.

    SCORE & SFXEverything arrives at once, then falls away to one held tone for the logo.

Six beats. Written before a single frame was made.

Where it runs

Made for the room it plays in.

Built for a wall, not a phone. Here's the wall.

8.00 : 1 · 12,960 × 1,620 · One continuous frame

River of Data

Immersive LED experience center · via agency

On the wall
  1. 1.78 : 1BROADCAST, CTV, YOUTUBE

    The ProofFusion Media AI

  2. 2.66 : 1PROFESSIONAL SPORTS STADIUM / ARENA

    A stadium board
  3. 0.56 : 1REELS, TIKTOK, SHORTS

    Kinetik: Fuel the Surge (Vertical)Fusion Media AI

  4. 2.67 : 1TRADE SHOW AWARD STAGE SCREEN

    NEXT Awards 2026POOLCORP · via agency

  5. Built for a wall, not a phone. Here's the wall.

    8.00 : 1WRAPAROUND LED ROOM · 12,960 × 1,620

    Pan the wall →

    One continuous frame

    River of Data

    Immersive LED experience center · via agency

    On the wall

Feature presentation · Selected work

Different briefs. Same standard.

  1. Farrell Air Conditioning The Stillness

    SHIPPED, 16:9, :30 BROADCAST SPOT

  2. Visiting Angels of Colorado Springs The Honest Number

    SHIPPED, 16:9, 1:03 BRAND VIDEO

  3. Farrell Plumbing Suncoast Evergreen

    SHIPPED, 16:9, :30 BROADCAST SPOT

  4. Visiting Angels of Colorado Springs When You Can't Be There

    SHIPPED, 16:9, 1:14 BRAND VIDEO

  5. Team Farrell The Gold Standard

    SHIPPED, 16:9, :30 BROADCAST SPOT

  6. L.L.Bean The Ascent

    SPEC, 16:9, :16 SPOT

  7. Tampa International Airport bid · via agency Airside D

    PITCH, 21:9, 1:01 CONTINUOUS FLY-THROUGH

Use the left and right arrow keys to move along the strip, Enter to screen the current piece.

“They plug right into our workflow as a silent fulfillment partner. Cinema Quality at Digital Speed.”

K. SPELCE, DP, AGENCY PARTNER

Questions

  1. Will my client ever know you're involved?

    No. We operate as a silent fulfillment arm. Mutual non-circumvention applies from first call. Your client sees your work, your brand, your name.

  2. How does partner pricing work?

    We publish wholesale rate cards to verified agency partners under NDA, so you can set client pricing to fit your model.

  3. Can you match our brand's style across our different clients?

    Yes. Every engagement has a locked spec sheet. We deliver against your client's brand, not ours.

  4. What's the onboarding process?

    30-minute fit call. NDA + non-circumvention. Wholesale rate card. First brief usually within a week.

  5. What formats do you deliver?

    Broadcast commercials: 30/60/90-second spots, studio-finished and broadcast-compliant. Brand anthems from 60 to 180 seconds, concept through final mix. Social cuts at scale: vertical, square and horizontal from one master, with spec-locked variations.

  6. How fast is a first cut?

    3 to 5 days, from approved brief to a broadcast-ready first cut. Traditional production runs 4 to 8 weeks for the same output.

The brief

Three taps and we can scope the first job.

The same two questions we ask every client, plus one about timing.

Where will it run?
What should the viewer do after watching?
When do you need it?

Your details

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Free concept storyboardPartnership

Company
Your brand
Where it runs
·····
Viewer should
·····
When
·····
For
Agency or studio
Screened
·····

FREE CONCEPTPARTNERSHIP · No. ····· · RECEIVED

Book the review call (opens in a new tab)

Call (813) 252-0892Email studio@fusionmedia.ai

No packages, no rate card. After the review call you get one number.

Rates and specs are sent privately after this form.

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Credits

Produced by
Fusion Media AI
Direction
Human
Generation
AI, artist-led
Final cut
Human
Studio
Headquartered in Tampa Bay, FloridaServing clients nationally

YOUR AGENCY HERE

Fusion Media AI. Now taking the brief.

Your production is next.