R01 · FOR PRODUCT BRANDS
- Beverage
- Beauty
- Launch videos
Cinema-quality video. Produced in days, not months.
Human + AI + Human workflow. Broadcast-grade commercial video for product and service brands, without the cost or timeline of a traditional shoot.
Now showing · FMAI selects
Start with work like yours.
A cross-section of what we make. Hover a title to change reels.A cross-section of what we make. Tap a title to screen it with sound.
Now showing R1 When You Can't Be There
Now showing R2 Suncoast Evergreen
Now showing R3 River of Data: Cinema Cut
Now showing R4 Airside D
Now showing R5 A Symphony of Robots
When You Can't Be There
Visiting Angels of Colorado Springs, 16 by 9, 1 minute 14 seconds, Shipped
The hero video for Visiting Angels of Colorado Springs, made for their website and social. Real testimonials from the families they serve, spoken by an AI host and cast. It is the first video to introduce who they are.
What it took: Every word is real. Visiting Angels gave us testimonials and reviews from real families, and we cast AI avatars to speak them: not clones of anyone, just their words.
A homeowner finds water spreading across his kitchen floor, books Farrell from his phone, and the same technician arrives, fixes the leak and shakes his hand.
What it took: Flooding a real kitchen, with water pouring from under the sink, would have cost enough to kill the idea. Here the kitchen floods on camera, and the creative got bigger than the budget.
River of Data re-edited for a 21:9 screen: a valley of sailboats, then a dive through the fleet and down a flooded tunnel.
What it took: Re-edited from the 8:1 LED master, so the same story plays on a 21:9 screen.
One continuous journey through Tampa, from space to an airport terminal, made for an agency's bid to Tampa International Airport.
What it took: One unbroken morph from space to the terminal, with wildlife true to Tampa.
A robotics piece for a wraparound LED room: welding arms, humanoids and a mobile robot move in time across the whole wall.
What it took: Choreographed as one piece across a 12,960-pixel wall.
A homeowner finds water spreading across his kitchen floor, books Farrell from his phone, and the same technician arrives, fixes the leak and shakes his hand.
What it took: Flooding a real kitchen, with water pouring from under the sink, would have cost enough to kill the idea. Here the kitchen floods on camera, and the creative got bigger than the budget.
River of Data re-edited for a 21:9 screen: a valley of sailboats, then a dive through the fleet and down a flooded tunnel.
What it took: Re-edited from the 8:1 LED master, so the same story plays on a 21:9 screen.
One continuous journey through Tampa, from space to an airport terminal, made for an agency's bid to Tampa International Airport.
What it took: One unbroken morph from space to the terminal, with wildlife true to Tampa.
A robotics piece for a wraparound LED room: welding arms, humanoids and a mobile robot move in time across the whole wall.
What it took: Choreographed as one piece across a 12,960-pixel wall.
Where it runs
Made for the room it plays in.
Built for a wall, not a phone. Here's the wall.
8.00 : 1 · 12,960 × 1,620 · One continuous frame
River of Data
Immersive LED experience center · via agency
On the wall
1.78 : 1BROADCAST, CTV, YOUTUBE
The ProofFusion Media AI
2.66 : 1PROFESSIONAL SPORTS STADIUM / ARENA
0.56 : 1REELS, TIKTOK, SHORTS
Kinetik: Fuel the Surge (Vertical)Fusion Media AI
2.67 : 1TRADE SHOW AWARD STAGE SCREEN
NEXT Awards 2026POOLCORP · via agency
Built for a wall, not a phone. Here's the wall.
8.00 : 1WRAPAROUND LED ROOM · 12,960 × 1,620
Pan the wall →One continuous frame
River of Data
Immersive LED experience center · via agency
On the wall
Feature presentation · Every program
Different briefs. Same standard.
Oklahoma Independent Providers Association The Voice
SHIPPED, 16:9, 1:10 BRAND VIDEO
Farrell Air Conditioning The Stillness
SHIPPED, 16:9, :30 BROADCAST SPOT
Team Farrell The Gold Standard
SHIPPED, 16:9, :30 BROADCAST SPOT
L.L.Bean The Ascent
SPEC, 16:9, :16 SPOT
HELOS HELOS Launch & Funding Video
SHIPPED, 16:9, :59 LAUNCH VIDEO, LOGO DESIGN
POOLCORP · via agency NEXT Awards 2026
SHIPPED, 8:3, STAGE-SCREEN MASTER, CEREMONY OPENER
Visiting Angels of Colorado Springs The Honest Number
SHIPPED, 16:9, 1:03 BRAND VIDEO
Use the left and right arrow keys to move along the strip, Enter to screen the current piece.
“Far exceeded our expectations. Visually stunning, on-brand, exceptional professionalism.”
How it gets made
Human + AI + Human
01 · Brief & pre-production
You bring the brief. We take it through creative pre-production and lock the full creative with you: concept, script, storyboard, casting and look. You know exactly what your production will look like.
02 · Production
Our AI artists generate the shots and work with our editors, feeding the edit as it comes together. These are our shoot days: every scene built, lit and directed in-house. No locations to book, no weather delays, no travel logistics.
03 · Post, mastering & delivery
Editorial, color and the sound mix, then mastering, then delivery at spec: every version checked and shipped ready for broadcast, CTV, social, cinema or the LED wall.
People set the direction. Our AI artists carry the generative work, shot by shot. People decide what ships.
The clock
- Brief + build · Days 1–2
- First cut · Day 3
- Revisions · Days 4–6
- Delivered · Day 7
First cuts in 3 to 5 days. The traditional route takes 4 to 8 weeks.
What we make for you is yours.
Based on The Stillness, a :30 broadcast spot for Farrell Air Conditioning (June 2026): production start to broadcast masters in 7 days. Larger projects can take longer, depending on what the client needs. The traditional track is a typical 8-week :30 schedule.
The schedule, day by day
First cuts in 3 to 5 days. Traditional production runs 4 to 8 weeks for the same output.
| Stage | FMAI | Traditional (typical) |
|---|---|---|
| Brief and pre-production | Days 1–2: production starts, assets in, frames built | Days 1–14: brief, bids, pre-production |
| Casting, locations, permits | Inside days 1–2: cast and locations built with the frames, no permits | Days 15–24 |
| Shoot | Inside days 1–2: our AI artists generate every shot, with no location or weather delays | Days 25–27 |
| First cut | Day 3: first cut to you | About day 38, after the edit |
| Color, sound, VFX | Inside days 1–3 | Days 39–46 |
| Revisions | Days 4–6: your notes, our pickups | Days 47–53 |
| Delivery | Day 7: 4K and broadcast masters delivered | Days 54–56 |
Three programs
Pick your program.
R02 · FOR SERVICE BUSINESSES
- Home services
- Home care
- Franchise
R03 · FOR AGENCIES · WHITE-LABEL
- White-label
- Your client's name on it
- Our engine, your brand
FROM PAGE TO SCREEN · FICTIONAL SAMPLE BRAND
Every shot was written down first.
Ninebark is a brand we invented to show you the process. Scroll to run the :30. The notes under the picture are the storyboard it was built from, word for word.
Ninebark is a brand we invented to show you the process. The :30 runs below. The notes under the picture are the storyboard it was built from, word for word.
Ninebark is a brand we invented to show you the process. Below are the six beats of the storyboard the :30 was built from, word for word.
- BEAT 01
The Dark
:00–:04·4.0SCAMERA24MM, LENS IN THE GRAVEL, EMPTY TRAIL
INTENDED MOTIONNothing in frame but a headlamp cone lying across wet granite and a thread of breath hanging inside it. No runner yet. We are listening before we are looking, and the empty trail tells you exactly what kind of morning this is.
SCORE & SFXRoom tone, wind, a low sub underneath. One footfall arrives late and close. No music yet.
- BEAT 02
The Contact
:04–:09·5.0SCAMERA150MM MACRO, FROZEN AT FIRST COMPRESSION
INTENDED MOTIONOff-speed. The rubber flattens, water squeezes out sideways from under the lugs in a low fan, and the outsole bites and holds. The whole argument of the spot, four inches off the deck.
SCORE & SFXThe sub drops out entirely. One wet compression, close and dry, and nothing else.
- BEAT 03
The Grade
:09–:14·5.0SCAMERA20MM, FLAT IN THE DIRT, LOOKING UP THE CLIMB
INTENDED MOTIONA slow push as she works up the slope and past camera-left, loose stone running downhill toward the lens. She is small and the hill is enormous, because that is how it feels at mile four.
SCORE & SFXBreath and cadence come up in the mix. The first sustained note enters underneath.
- BEAT 04
The Slip
:14–:19·5.0SCAMERA150MM MACRO, A TENTH OF A SECOND INTO THE SLIDE
INTENDED MOTIONOff-speed. The scree shears sideways, the lug catches, the slide stops. A recovery, not a fall. This is the moment a trail shoe is actually tested, and almost nobody puts it in the ad.
SCORE & SFXGrit and shear, isolated and close. The note holds and refuses to resolve.
- BEAT 05
The Crossing
:19–:24·5.0SCAMERA135MM MACRO, LOW AND BACKLIT INTO THE SUN
INTENDED MOTIONOff-speed. The foot breaks the surface and a column of spray opens toward camera, rim-lit into gold by the low sun behind it, then thins and is gone. First light arrives on the water before it arrives on her.
SCORE & SFXOne hard splash, then near silence underneath the held note.
- BEAT 06
The Ridge
:24–:30·6.0SCAMERA35MM LOW THREE-QUARTER, THE ONLY WIDE IN THE PIECE
INTENDED MOTIONReal time, finally, and the only time the frame opens up. She crests the ridge into full sun and keeps going out of frame: no arms up, no summit pose. The camera holds on empty ridgeline for a beat before the end card.
SCORE & SFXEverything arrives at once, then falls away to one held tone for the logo.
Six beats. Written before a single frame was made.
FREE CONCEPT STORYBOARD
This board was free. So is yours.
CONCEPT STORYBOARD · YOUR BRAND
PREPARED FOR YOU · NOT A TEMPLATE
Yourspot.
STORYBOARD / 10 PAGES / BUILT FOR YOUR BRAND
PRODUCTION SPECIFICATIONS
RUNTIMESet on the brief
FORMAT / ARWhere it runs decides this
BEATSSix, written for your brand
PREPARED FOR · CLICK TO TYPE YOURSTAP TO TYPE YOURS ↓PREPARED BY
FUSION MEDIA AI
Page 01 / 10
Turn the pages with the left and right arrow keys.
Before you commit to anything, see your spot on paper. Built on your product and photos, not a template.
WHAT'S IN IT
01 Production specs: runtime, frame rate, format and colour, settled before anything is built.
02 Visual register: light, grain and palette, locked to your look.
03 Model sheets: your product and people, built from your photos. The page your team signs off on.
04 Six beats: every shot with its time, lens, intended motion, score and sound.
Then the review call. We walk you through it. You decide what happens next.
Our work · 27 pieces
Every piece in its native shape.
- 16:9 0100070310030117
- 21:9 0100000101000103
- 2.49:1 0000000100000001
- 8:3 0001000000000101
- 8:1 0005000000000505
Notices
What clients say
“They plug right into our workflow as a silent fulfillment partner. Cinema Quality at Digital Speed.”
Work that has run for
- Visiting Angels of Colorado Springs
- Team Farrell
- Oklahoma Independent Providers Association
- HELOS
- H & S Exterior Solutions
- NeuroVantage
- POOLCORP
Questions
What is AI video production?
Studio video where AI generates the footage instead of a physical shoot. Humans direct the creative and polish every frame to broadcast quality.
How much does AI video cost?
Every engagement is scoped and quoted to the project. Scope, number of variants, and turnaround differ every time. Book a call and we'll put a number to your specific request.
How fast can you deliver?
First cuts in 3 to 5 days. Traditional production runs 4 to 8 weeks for the same output.
Will it look like AI slop?
No. Human editors finish every frame. If it does not match broadcast quality, we do not ship it.
Do you work with my existing agency?
Yes. We act as a white-label fulfillment partner for agencies. We are comfortable working invisibly behind your brand.
Where is FMAI located?
Greater Tampa Bay area, Florida. We serve clients nationally and work remotely with most of them.
Can you match my brand guidelines?
Yes. We build a locked style guide during onboarding. Every deliverable matches your typography, color, voice, and tone, across hundreds of variations if you need it at scale.
Is AI video production suitable for regulated industries?
Our pipeline and finishing process are designed in alignment with BIPA, AB 2602, and AB 1836 digital-replica requirements. Our co-founder Doug Swim is a practicing attorney with 20+ years in regulated-industry law. Financial brands, regulated beverage, and other advertising-restricted categories carry rules most studios don't know exist. Ours does.
Credits
- Produced by
- Fusion Media AI
- Direction
- Human
- Generation
- AI, artist-led
- Final cut
- Human
- Studio
- Headquartered in Tampa Bay, FloridaServing clients nationally
YOUR BRAND HERE
Fusion Media AI. Now taking the brief.
Your production is next.